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Classique / Opéra - Gros Plan

Evgeni Koroliov


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Evgeni Koroliov - Critique sortie Classique / Opéra


AUDITORIUM DE RADIO-FRANCE / PIANO

Le Russe Evgeni Koroliov s’est fait remarquer voici presque quarante ans en remportant le premier et unique prix du Concours Clara Haskil, compétition suisse qui peut s’enorgueillir d’avoir eu la main particulièrement heureuse. De Christoph Eschenbach en passant par Sunwook Kim, Michel Dalberto, Adam Laloum, Richard Goode, Till Fellner, Christian Budu, Finghin Collins ou encore Martin Helmchen, la liste des vainqueurs est éloquente. Mais il faut croire que de la Suisse à la France, ou plutôt de l’Allemagne à la France, puisque c’est là que vit et enseigne cet ancien élève de Heinrich Neuhaus, Maria Yudina et Lev Naoumov, le chemin est long : depuis 1977, Koroliov a trop peu fréquenté les salles de concerts françaises et nos orchestres, bien que chacune de ses apparitions ait été triomphale. A noter qu’en sens inverse, le chemin est souvent emprunté, puisque de nombreux jeunes pianistes français vont travailler avec lui à Hambourg.

Une œuvre envoûtante

Voici donc le quasi septuagénaire à Radio France pour les Variations Goldberg de Bach, qu’il a déjà jouées à Paris. On ne s’en plaindra pas, même si un petit effort d’imagination aurait pu aller jusqu’à lui demander de jouer de la musique française qu’il interprète si bien, des sonates de Beethoven, des pièces de Ligeti ou de Messiaen. Mais bon, si tout le monde joue et enregistre dorénavant cette grande œuvre, Koroliov est entré en Bach depuis son adolescence. Autant dire qu’il a fait sienne cette musique complexe pour qui la joue et envoûtante pour qui l’écoute. Ça tombe bien, le projet de la radio est de confronter un interprète à un compositeur.

Alain Lompech

A propos de l'événement


Evgeni Koroliov
du dimanche 16 décembre 2018 au dimanche 16 décembre 2018

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116 Avenue du Président Kennedy, 75016 Paris

à 16h.  Tél. : 01 56 40 15 16. Places : 10 à 45 €.


A lire aussi sur La Terrasse


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    - Critique

En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants

Enfermés dans le lendemain de la veille, [...]


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    - Critique

Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante

Alain Françon met en scène Le Moment [...]


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    - Critique

TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia

Rendre l'art accessible au jeune public sans [...]


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