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Danse - Critique
Le Parlement des invisibles
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Chor. Anne Collod / mus. Saint-Saens, Pierre-Yves Macé
Anne Collod convoque la mort sur le plateau avec Le Parlement des invisibles, une pièce en forme de feuilletage où sont évoqués la danse expressionniste allemande, les fêtes funéraires mexicaines et le carnaval. Le point de départ est une relecture de la Danse macabre de Sigurd Leeder, chorégraphe allemand exilé à Londres qui a été interprète dans La Table verte de Kurt Joos. Déjà sous-titrée Danse macabre,La Table verte montrait des politiciens masqués fomentant la guerre. Mais Anne Collod croise cette source d’inspiration expressionniste des années 30 avec d’autres évocations.
Burlesque et sensuel
Empruntant à la procession, à la transe, ou au carnaval pour convoquer la désarticulation des normes, le politique et le fantastique. La musique de Saint-Saens s’acoquine avec l’electro de Pierre-Yves Macé, les images projetées s’associent à la danse et les cadavres ne portent pas de costards mais des costumes fantaisistes et flashy signés La Bourrette. Burlesque, sensuel, érotique, Le Parlement des invisibles pose la question des représentations de la mort tout en affirmant un désir de vie… sinon de sur-vie !
Agnès Izrine
A propos de l'événement
Le Parlement des invisibles du mercredi 11 mai 2016 au jeudi 12 mai 2016
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1 Rue Victor Hugo, 93500 Pantin, France
Le 11 mai à 20h30, le 12 mai 2016 à 19h. Tél. : 01 41 83 98 98. Durée 1h00.