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Classique / Opéra - Agenda
Le Viol de Lucrèce
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Dès 1945 avec Peter Grimes, Benjamin Britten (1913-1976) s’est imposé comme une figure incontournable de l’opéra au 20e siècle. S’il reconduira plus tard, dans Billy Budd notamment, le modèle du grand opéra, il s’est peut-être surtout illustré par la composition d’œuvres pour effectifs réduits, sans que cela nuise – bien au contraire – à leur intensité dramatique. Le Viol de Lucrèce (1946) est le premier de ces ouvrages. Sur un livret composé en vers par Ronald Duncan, Benjamin Britten renoue avec la tradition de l’opéra des 17e et 18e siècles, laissant au texte tout son pouvoir d’expression. L’efficacité dramatique est assurée par le rôle du double chœur (masculin et féminin), qui, à la façon du théâtre antique, conduit la narration (l’approche de Tarquin vers l’appartement de Lucrèce au début de deuxième acte est un sommet absolu de l’art dramatique). Elle est renforcée par l’économie de moyens : douze instrumentistes en plus du pianiste et chef d’orchestre soutiennent les huit voix. Légère par l’effectif mais d’une profondeur dramatique exceptionnelle, l’œuvre est une formidable école pour les jeunes interprètes et une parfaite occasion de découvrir les pensionnaires de l’Atelier lyrique de l’Opéra de Paris.
A propos de l'événement
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A lire aussi sur La Terrasse
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- Critique
En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants
Enfermés dans le lendemain de la veille, [...]
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- Critique
Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante
Alain Françon met en scène Le Moment [...]
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- Critique
TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia
Rendre l'art accessible au jeune public sans [...]
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