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Danse - Gros Plan

Les Rendez-vous Chorégraphiques de Sceaux


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Les Rendez-vous Chorégraphiques de Sceaux - Critique sortie Danse


Le très pur et rigoureux Andrès Marin s’accompagne d’une danseuse et de cinq musiciens pour exprimer la force venue de l’intérieur du flamenco. Russell Maliphant préfère les pièces courtes, et enchaîne duo et trios, dont une création inspirée de la figure de Nijinski (After Light). Maryse Delente a choisi de revenir à ses premières amours, reprenant des pièces qui ont fait les riches heures de son travail autour de la féminité. Le Ballet National de Marseille offre quant à lui une création de grande envergure, signée de son directeur Frédéric Flamand : faisant suite à ses collaborations avec des architectes de renom, il s’entoure ici de l’architecte et plasticien chinois Ai Weiwei pour concevoir l’univers scénographique de La Vérité 25X par seconde.
 
Les danseurs du Ballet de Marseille en prise avec un univers froid et rigide
 
Cet opposant au régime chinois est un des concepteurs du fameux « nid d’oiseau » pour les J. O. de Pékin. Pour Frédéric Flamand, il imagine une carcasse composée d’échelles en aluminium, imbriquées les unes dans les autres, tantôt cages, tantôt sol, tantôt ciel. A l’aide de la vidéo, à la fois « œil » voyeur et outil pour transformer la perspective et les regards, il fait des danseurs les artisans d’un monde en construction, suspendus à ce meccano géant comme à leur barre d’entraînement.
 
Nathalie Yokel

Hermético d’Andrés Marin, du 6 au 8 mai à 20h45, After Light, A Holding Space et Broken Fall de Russell Maliphant les 11 et 12 mai à 20h45, El Canto de Despedida et Mariana de Maryse Delente du 19 au 21 mai à 20h45, La Vérité 25X par seconde de Frédéric Flamand, du 27 au 29 mai à 20h45, aux Gémeaux, scène nationale de Sceaux, 49 avenue Georges Clemenceau, 92330 Sceaux. Tel : 01 46 61 36 67.

A propos de l'événement



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A lire aussi sur La Terrasse


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    - Critique

En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants

Enfermés dans le lendemain de la veille, [...]


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    - Critique

Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante

Alain Françon met en scène Le Moment [...]


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    - Critique

TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia

Rendre l'art accessible au jeune public sans [...]


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