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Danse - Critique
Paulo Ribeiro au Théâtre de la Ville
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Encore un programme qui témoigne de l’incroyable diversité des propositions du Ballet de Lorraine : après une soirée 100% chorégraphes d’Afrique (Désirs, à Chaillot) et avant de se plonger dans la danse américaine (Made in America), voici le moment de retrouver le chorégraphe portugais Pauli Ribeiro. Créateur emblématique de la nouvelle vague portugaise de la fin des années 80, Paulo Ribeiro reçoit de nombreux prix avec sa compagnie et travaille avec de grands ballets. La fin de sa collaboration avec le Ballet Gulbenkian marque pourtant la fragilité de sa démarche, en proie aux difficultés que ressentent tous les artistes aujourd’hui au Portugal.
Un répertoire témoin de la vitalité de la danse portugaise
White Feeling et Organic Beat sont deux pièces créées en 2004 et 2005 au Ballet Gulbenkian, et entrées au répertoire du Ballet de Lorraine. Chacune font se répondre, dans deux registres très différents, la danse et la musique : White Feeling invite quatre accordéonistes à accompagner la danse puissante de dix hommes. Pour Organic Beat, c’est la musique percussive de John Cage qui joue sur la masse des trente danseurs. Une vague de virtuosité tout en sensualité dans la rigueur d’une écriture à redécouvrir.
Nathalie Yokel
White Feeling et Organic Beat de Paulo Ribeiro, du 15 au 18 avril à 20h30, le 16 à 16h et 20h30, le 17 à 15h, au Théâtre de la Ville, 2 place du Châtelet, 75004 Paris. Tel : 01 42 74 22 77.
A propos de l'événement
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