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Classique / Opéra - Gros Plan

Pierre Boulez dirige Schoenberg et Bartok


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Pierre Boulez dirige Schoenberg et Bartok - Critique sortie Classique / Opéra


Si les amateurs de musique contemporaine se désolent actuellement de la très faible production compositionnelle de Pierre Boulez, les autres se réjouissent de le retrouver régulièrement en tant que chef d’orchestre. En décembre, il dirige l’Orchestre de Paris dans un programme, typiquement « boulézien », confrontant deux géants du XXème siècle : Schoenberg et Bartok. Du premier sera donné la Nuit transfigurée, dans la version pour orchestre à cordes. Ecrite encore dans la tradition post-romantique, cette œuvre flamboyante pousse l’expression instrumentale jusque dans ses ultimes retranchements.

Gestique précise et minimale

Du compositeur hongrois, deux partitions emblématiques sont à l’affiche : le Concerto pour piano n°2, sous les doigts de Bertrand Chamayou, l’un des pianistes les moins « marketés » du moment – d’une rare intelligence musicale et d’une grande souplesse de jeu – et le Concerto pour orchestre, mettant à l’honneur la virtuosité des souffleurs de l’Orchestre de Paris. Mais surtout, le public viendra apprécier, une fois de plus, la gestique aussi précise que minimale de Pierre Boulez, capable de révéler chaque œuvre dans sa plus parfaite transparence. Une baguette qui n’est pour autant jamais rigide, ni autoritaire sur les musiciens… A noter par ailleurs que, dans un souci louable de démocratisation du classique, le programme sera également donné la veille en entrée libre sous la Pyramide du Louvre (mais sans le concerto pour piano de Bartok). Voir Pierre Boulez, grand amateur d’architecture contemporaine, diriger sous la verrière de Ieoh Ming Pei, cela vaut le détour !
 
A. Pecqueur

Mardi 20 décembre à 20h sous la Pyramide du Louvre. Entrée libre. Mercredi 21 décembre à 20h à la Salle Pleyel. Tél. 01 42 56 13 13. Places : 10 à 85 €.

A propos de l'événement



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A lire aussi sur La Terrasse


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    - Critique

En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants

Enfermés dans le lendemain de la veille, [...]


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    - Critique

Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante

Alain Françon met en scène Le Moment [...]


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    - Critique

TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia

Rendre l'art accessible au jeune public sans [...]


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