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Danse - Critique

Robyn Orlin et l’Isicathamiya


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Robyn Orlin et l’Isicathamiya - Critique sortie Danse


Ça chantait déjà l’an dernier avec les concours d’élégance des « m’as-tu vu » swenkas. La nouvelle pièce de Robyn Orlin, Walking next to our shoes… intoxicated by strawberries and cream, we enter continents without knocking…, va plus loin dans l’exploration d’une pratique issue de la culture noire post-apartheid. Celle qui s’attache à révéler tous les pans de la culture de son pays aime provoquer, mettre du poil à gratter dans nos représentations et bousculer nos attendus sur la forme spectaculaire en elle-même avec vidéo, textes, chants, danses… Même si désormais on reconnaît aisément sa forme, son style et sa signature, son travail n’en demeure pas moins indispensable sur le fond, pointant du doigt les inégalités, les discriminations, ou le racisme.

Danse et musique, présenté en Seine-Saint-Denis par Banlieues Bleues

L’Isicathamiya est une forme de chorale masculine née dans les populations rurales mais laissée de côté après l’exode. Aujourd’hui, la pratique a refait surface dans les villes à travers des concours de chants très prisés, portant haut et fort une identité longtemps reniée par l’Histoire. A l’inverse du gospel, les chants sont en prise directe avec la réalité et le quotidien de ceux qui les portent. Une parole libérée et engagée, à l’image du travail de la chorégraphe, militant pour la reconnaissance d’une culture sud-africaine spécifique à travers un combat artistique et politique.

Nathalie Yokel

Walking next to our shoes… de Robyn Orlin, le 19 mars au Théâtre Gérard Philipe, 59 boulevard Jules Guesde, 93200 St Denis, et le 20 mars au Théâtre Louis Aragon, 24 boulevard de l’hôtel de ville, 93290 Tremblay-en-France, dans le cadre de Banlieues Bleues. Tel : 01 49 22 10 10. Le 21 mars au Théâtre de Saint Quentin-en-Yvelines, place Georges Pompidou, 78 Montigny-le-Bretonneux. Tel : 01 30 96 99 00.

A propos de l'événement



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A lire aussi sur La Terrasse


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    - Critique

En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants

Enfermés dans le lendemain de la veille, [...]


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    - Critique

Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante

Alain Françon met en scène Le Moment [...]


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    - Critique

TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia

Rendre l'art accessible au jeune public sans [...]


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