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Danse

The Australian Ballet


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The Australian Ballet - Critique sortie Danse


La danse depuis longtemps entaille l’entrave des frontières. Ainsi l’extraordinaire aventure des ballets russes de Diaghilev a-t-elle dessiné un dense réseau d’influences qui essaima partout dans le monde, jusqu’en Australie. C’est dans le sillage du Covent Garden Russian Ballet et de l’Original Ballet Russe du colonel Basil, qui, dans les années 30, impressionnèrent si fortement le public, qu’est né The Australian Ballet. Fondé en 1962 sur l’héritage amené par des danseurs russes émigrés, notamment le couple Borovansky, la compagnie a su explorer le répertoire classique et s’aventurer sur les terres contemporaines, tout en développant la polyvalence et l’excellence technique de ses quelque 70 danseurs permanents, jusqu’à s’imposer comme l’une des institutions chorégraphiques majeures de son pays.
 
Double programme
 
Venu pour la dernière fois en France en 1965, au cours d’une tournée européenne où brillèrent Rudolf Noureev et Margot Fonteyn en artistes invités, The Australian Ballet revient avec trois pièces à l’affiche. La Symphonie fantastique de Berlioz, chorégraphiée par le polonais Krzysztof Pastor, et Rites, réglé par l’australien Stephen Page sur Le Sacre du printemps de Stravinsky, avec les danseurs aborigènes du Bangarra Dance Theatre, composent le premier programme, tandis que Le Lac des cygnes, dans la version de l’australien Graeme Murphy, sera présenté pour la seconde soirée. Soient trois œuvres majeures du répertoire pour redécouvrir les lointains héritiers de la tradition classique…
 
Gw. D.

Symphonie fantastique, Rites, le 29 septembre 2008 à 20h, le 30 septembre à 14h30 et à 20h, Le Lac des cygnes, du 2 au 4 octobre, à 20h sauf samedi 4 à 14h30, au Théâtre du Châtelet, place du Châtelet, 75001 Paris. Rens. 01 40 28 28 40 et www.chatelet-theatre.com

A propos de l'événement



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A lire aussi sur La Terrasse


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    - Critique

En attendant Godot : Alain Françon dirige, en grand horloger, des comédiens éblouissants

Enfermés dans le lendemain de la veille, [...]


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    - Critique

Alain Françon met en scène « Le Moment psychologique » de Nicolas Doutey : une partition qui enchante

Alain Françon met en scène Le Moment [...]


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    - Critique

TRAIT(s) : un cirque graphique intelligent et sensible composé par Coline Garcia

Rendre l'art accessible au jeune public sans [...]


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