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Classique / Opéra - Agenda
TM+
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ALTO ET ENSEMBLE / NANTERRE
Le compositeur parfois délègue à un instrument le soin d’être son double aux oreilles de l’auditeur. Dans Harold en Italie, Berlioz choisit l’alto, personnification musicale du héros byronien et du compositeur lui-même. Tendant le miroir à l’œuvre de Berlioz, Gérard Pesson à son tour a composé son Panorama, particolari e licenza (2006) comme une réflexion sur l’imaginaire berliozien, en un montage qui emprunte autant au cinéma qu’à la rêverie – l’alto (ici, Marc Desmons) se double, s’hybride à la voix de Sylvia Vadimova. C’est un autre paysage, intime, ténu, qui se dessine dans The Viola in My Life II (1970) de Morton Feldman. Entre les deux, le Conte fantastique (1923) d’André Caplet, inspiré par un conte d’Edgar Poe, où la harpe figure la Mort.
Jean-Guillaume Lebrun
A propos de l'événement
TM+ du vendredi 18 janvier 2019 au vendredi 18 janvier 2019
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